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Gamespot’s Editorial Problems in Perspective

Sam Kennedy is a guy you can respect. As the Editor of the 1up site, he’s overseen some great features and some unbelievable breaking news; he also has a great point of view on the games industry. So his massive blog entry posted today talking about Gamespot’s sad state of affairs post-Gerstmann-gate is something you should take seriously. Sam runs down the sordid affair itself, the changes to C|Net and Gamespot management that led to unreal expectations at Eidos, and what this could mean for the future of game reviews. “Shortly after Gerstmann was fired, I got a call from a friend at one of the major nationwide news networks asking me what I knew about what happened, as he was considering trying to pitch a story to his editor. You want to know what it was? ‘Game Reviews: can they be trusted?’ Basically, ‘You’re a parent and you’re going to buy a videogame for your kids this holiday season, but can you trust those reviews you’re reading on the web?’ That’s why this story matters so much. Gerstmann-gate … made him want to give the industry a nice kick in the pants. I applaud his motives, but again, it’s a shame to have this sort of doubt hanging over us all.”  [+] games, media, !gate, stopcallingthingsgates (tagging beta)

[+] Game Journalist May Have Been Fired Over Negative Review 397 comments It started as a rumour post on Kotaku and a Penny Arcade comic strip: reviewer Jeff Gerstmann was fired from the gaming news site Gamespot for giving the co-op action title Kane and Lynch a low score, and snarking on the game in the review. The catch? The firing was dictated by games publisher Eidos, who didn’t appreciate the veteran reviewer’s tone in the piece. Their ad campaign (spread across the entirety of the Gamespot site) may have been used as a bargaining tool of some kind. Joystiq has a lengthy, detailed summary of this event and its implications, which is no longer technically a rumour. Gerstmann confirmed to the blog that he has been let go from the C|Net-affiliated site, but as of right now can’t talk about the details. “The ramifications of the story, if true, are huge. Readers should fairly expect there to be an inviolable firewall between advertising and editorial in journalism, and game journalism (yes, that includes “just reviews”) is no different. While our industry has had its fair share of accusations of impropriety, nothing so far has been proven beyond a shadow of a doubt. Giving a publisher the power to fire a senior editor is a line no outlet should be willing to cross.” Update: 11/30 17:40 GMT by Z : The Joystiq story continues to be updated, and Tycho has put up what the PA guys heard about the tale in text. Joystiq also has an additional post about the story, with a brief (noncommittal) response from Gamespot. [+] Adverjournalism - The Role of Ad Dollars in Media 91 comments Gamer 2.0 writes “The Gamer 2.0 site has a look into the role of advertising in gaming journalism, with a few reflections especially topical given the Jeff Gerstmann controversy. From the article: ‘It should come as no surprise that just about every gaming forum on the internet is ablaze right now following the news of GameSpot’s termination of long-time editor, Jeff Gerstmann. This article, however, is not an exposé or look into what really happened at GameSpot this week. Rather, consider this a look at the direction of gaming journalism, advertising, and how this all plays a role in the content you read.’” There have been a few more developments in the situation since Thursday night, with rumours, scuttlebutt, analysis, and cynicism reigning on every message board from here to C|Net. There has even been a spontaneous act of solidarity from elsewhere in the games journalism field. [+] The Contempt of Publishers for Game Reviewers 56 comments Newsweek’s LevelUp blog is, without a doubt, one of the smartest voices in games writing today. For a great example of that, look no further than N’Gai’s recent discussion of ‘Gerstmann-gate’, which focuses not on the particulars of the incident but what it means in a larger context. “The Gerstmann-C|Net incident, therefore, suggests that having successfully stage-managed the first two parts of the [game coverage] process for years, thanks to the generous spirit in which previews and features have long been written, certain publishers may now be flexing their muscles more forcefully when it comes to the third: reviews. This publisher-editorial tension, as one journalist from an enthusiast outlet informed us, is at its most contentious during the run-up to Christmas, because the pre-holiday period is the time of year when stakes are highest for some companies. That’s even more true during this holiday season, which despite the absence of Grand Theft Auto IV will go down as one of the most competitive on record, loaded as it is with AAA hopefuls all seeking their place in the sun.” And indeed, perhaps some portions of the games market have ‘transcended’ these petty squabbles. Certainly EA Casual doesn’t care about reviews, and who really needs a game reviewer to tell you whether Brain Age 3 is any good? To revisit the reason this article was written, we turn again to Joystiq, who has been following it closely.

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